Would you like to spend two hours with David Tennant whispering in your ears? You'd be a fool to say no! The stage is bare, the costumes are monochrome, Pepper's Ghost serves as a backdrop, the audience wears headphones. Is this style over substance? Almost. So let's talk about the schtick. Every actor is wearing a microphone which allows their merest whisper to be picked up. An impressive audio mix is created, with ravens flying o'erhead, along with other non-diegetic sounds. The music is…
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What is the city but the people? What indeed? David Oyelowo is a powerhouse. His Coriolanus is a shitheel teetering somewhere between Trump and Mugabe. He isn't a noble character with a fatal flaw; his flaws are his character. The citizens celebrate him, turn on him, fear him. It isn't about power corrupting, it's about venal people abusing power structures. There are persistent theories about the authorship of Shakespeare's plays. My personal favourite is that, in the absence of extant…
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Shakespeare, famously, shunned computers. Like some sort of retro hipster, he didn't write his plays on a laptop, refused to use spellcheck, and didn't register his copyright on the blockchain. Lord, what fools these mortals be! What would Shakespeare's plays have been like if their characters understood basic cybersecurity? Now, it is true that very few of his plays feature computers, but modern cybersecurity is more about human behaviours than it is any specific technology. Verifying…
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The best thing about Shakespeare is that you can endlessly redefine the stories. Romeo & Juliet works as well set in NYC to a musical score as it does set in fair Verona. The Tempest is just as good whether the action takes place on an island or an alien planet. Shakespeare can be set in any number of high-schools without dampening its power. And so, Hamlet is now HAM(let) - Humanoid Artificial Mind (learned emotive type) - with V1 being the dead king and V2 our titular Danish Prince. …
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Make Shakespeare Lowbrow Again! That's a rallying cry I can get behind. Willy wrote for the groundlings - plenty of sex and violence, interspersed with fart jokes and casual xenophobia. When your audience are drunk and violent, you really need to bring your best rhyming couplets. Shitfaced Shakespeare knows its West End audience have had a few refreshments before the show. Their twist is - so has one of the cast members. Take six classically trained thesps, get one of them pissed, proceed…
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Disclaimer! Work In Progress! See source code. I recently read this wonderful blog post about using 17th Century Dutch fonts on the web. And, because I'm an idiot, I decided to try and build something similar using Shakespeare's first folio as a template. Now, before setting off on a journey, it is worth seeing if anyone else has tried this before. I found David Pustansky's First Folio Font. There's not much info about it, other than it's based on the 1623 folio. It's a nice font, but missing …
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Everybody knows the story of Juliet and her Romeo. Everybody. It's a cultural touchstone unlike any other. It has been remixed, reinterpreted, reimagined, and probably remastered into 4K 3D. So what can a new production of it bring? Well, for a start, ukuleles. The cast - all six of them - give the prologue in song. Reminding us (in updated English) that we all know what's coming. It had never occurred to me that the rhythm and rhyme of Shakespeare's poetry fits perfectly to music. Now,…
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I'll cheerfully admit to only having a hazy familiarity with the play (it's the one with twins that isn't 12th Night, and with the shipwreck which isn't Tempest, and with the annoyed money-lender which isn't Merchant of Venice... wait... perhaps I have seen it in aggregate!) On the one hand, this is an entirely traditional production. Sumptuous Elizabethan clothing - with resplendent codpieces - live minstrels, and plenty of chatting up the audience. And, in other ways it is delightfully…
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This is a short but interesting look at the way Shakespeare's comedy was understood by his contemporaries - and how his legacy still influences modern comedians. There's a good deal of discussion about the role comedy played in society, and the interplay between actors and playwright would have worked. But, sadly, it never quite makes the leap to demonstrate the way that. At best, we get fairly generic sketches like: most of Shakespeare’s witty characters are women. Their legacy is r…
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Who "owns" the English language? Do you cringe when you see "centre" spelled (or spelt) "center" (or vice-versa)? Which Americanisms do you think are super awesome? This book asks us a simple question: What if, instead of worrying about the “ruination” of English by young people, jargonistas, or Americans, we celebrated English for being robust enough to allow such growth and variety? Without evolution, languages stagnate and die. Without a vast corpus of work, which responds to changing c…
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Exactly a decade ago, I wrote about how Shakespeare invented the emoticon. Nestled deep in "Winter's Tale" is the first recorded use of the typographic smilie :) As I discussed, Sir Smile's smile appears in the 1st, 2nd, 3rd, and 4th folios. One hundred years after the 4th folio was printed, the smile vanished. The 1786 edition simply omits it. At the time, I didn't have access to any other versions between 1685 and 1786 - but I'm delighted to tell you that I've now found one! The Hathi…
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Knowledge graphs are tricky beasts to create. Trying to extract semantic metadata from documents is a gargantuan task. Mix them together and you have a recipe for disaster. While yak-shaving for my MSc, I found an interesting looking research paper authored by one JC Shakespeare. As you can probably tell from that snippet, there is something a bit hinkey going on here. Here's the page that Google Scholar has scraped: It's pretty easy to see what has happened here. The algorithm (whether …
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