Overwrought melodrama in London's most uncomfortable theatre. This show has been done countless times before. You, the audience, watch extracts from a murder trial. At the end, you vote on whether she done it or not. It feels more suited to a Channel 5 show which asks punters to text their verdict in to a premium rate number. Overall, it is a tawdry - but thoroughly uninteresting - tale. The…
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For the first time in its illustrious 114 year history, the historic London Palladium will host a monthly orchestral residency beginning in February 2024, which will see iconic artists’ music celebrated. This was an entertaining, but curious, gig. It isn't a tribute act - no sequinned sound-alikes strutting the stage here - it's a a full rock-n-roll orchestra fronted by three dazzlingly t…
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What a treat! Alan Cumming has the amazing gift of making a 2,000 seat venue feel like an intimate little club. The Crown-Prince of Scotland spent two hours regaling us with tales from Hollywood and singing his heart out. The name-dropping is outrageous! The stories scandalous! The singing fabulous! It feels like the whole performance is in italics with extra exclamation marks. It feels…
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Make Shakespeare Lowbrow Again! That's a rallying cry I can get behind. Willy wrote for the groundlings - plenty of sex and violence, interspersed with fart jokes and casual xenophobia. When your audience are drunk and violent, you really need to bring your best rhyming couplets. Shitfaced Shakespeare knows its West End audience have had a few refreshments before the show. Their twist is - so…
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Everybody knows the story of Juliet and her Romeo. Everybody. It's a cultural touchstone unlike any other. It has been remixed, reinterpreted, reimagined, and probably remastered into 4K 3D. So what can a new production of it bring? Well, for a start, ukuleles. The cast - all six of them - give the prologue in song. Reminding us (in updated English) that we all know what's coming. It had…
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This play is exhausting. It is an absolutely relentless comedy. I don't mean a few scattered laughs, I mean a full-on assault on your comedy nerves. It starts as a high-energy farce and escalates and escalates and escalates until you can't trust your senses any more. If you're unfamiliar with the plot - as I was - it's a remake of a 1970s piece of agit-prop theatre in which the death of a…
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It's always slightly weird when entertainment transfers from one medium to another. The actors on stage never look like the characters you imagined when you read the book. A prog-rock concept album loses its grandeur when transferred to 27 part Netflix series. And the subversive intent of the comic book is neutered to make a blockbuster movie. So what happens when a hit radio show is transformed …
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Well, this is a glorious mess! The puppetry is astounding. The grey-clad puppeteers manipulate their charges with grace, precision, and joy. The work is so much more intricate than, say, Avenue Q. The mannerisms of the Tom Cruise doll are perfectly executed, with subtle moments of genius. The puppets range from miniscule to gigantic, with some requiring multiple people to bring them to life. …
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I've never heard such whooping and hollering from a Bloomsbury Theatre audience. When Rachel Bloom prances on to the stage it is like seeing a revivalist preacher work the faithful. It would have been so easy for Bloom to rest on her laurels and give a "best of Bloom" revue - the crowd would have lapped it up. But, instead, she puts in the hard work to make something new and incredible. Because…
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Doing vocal impressions is hard. Doing them while singing is even harder. But Chirstina Bianco does it effortlessly, backwards and in high heels. I remember seeing the Forbidden Broadway show decades ago - Bianco is an alumna - and being slightly confused by all the "inside baseball" terminology. This new one-woman show is much more accessible. We were treated to Shania Twain singing Bucks Fizz, …
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It is an undisputed fact that Mark Lewisohn knows more about The Beatles than anyone else - including The Beatles! This is a cosy and intimate show - well, a PowerPoint presentation really - which see Mark take us through 62 events in the year 1962. Why '62? Well, that's the year everything changed. Mark makes a convincing case that 1962 is when pop culture changed forever. Not just with the…
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About five minutes into the show I already had tears of laughter streaming down my face. I didn't stop laughing and squealing with delight until the curtain call. The plot - unusual for a jukebox musical - is relatively well thought through. What if Juliet didn't die at the end of Romeo + Juliet? What if she left Verona to seek her heart's desire? And, much like a Shakespeare comedy, there's no…
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