I have rarely been this bored during a West End Show. Conor McPherson seems to have fundamentally misunderstood what makes an engaging drama and, simultaneously, what makes for an enjoyable "jukebox musical". The writing is like an exaggerated soap opera script which consists solely of angry people asking each other questions, which are then answered with more questions. Sample dialogue: Who…
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What a treat! Alan Cumming has the amazing gift of making a 2,000 seat venue feel like an intimate little club. The Crown-Prince of Scotland spent two hours regaling us with tales from Hollywood and singing his heart out. The name-dropping is outrageous! The stories scandalous! The singing fabulous! It feels like the whole performance is in italics with extra exclamation marks. It feels…
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Doing vocal impressions is hard. Doing them while singing is even harder. But Chirstina Bianco does it effortlessly, backwards and in high heels. I remember seeing the Forbidden Broadway show decades ago - Bianco is an alumna - and being slightly confused by all the "inside baseball" terminology. This new one-woman show is much more accessible. We were treated to Shania Twain singing Bucks Fizz, …
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About five minutes into the show I already had tears of laughter streaming down my face. I didn't stop laughing and squealing with delight until the curtain call. The plot - unusual for a jukebox musical - is relatively well thought through. What if Juliet didn't die at the end of Romeo + Juliet? What if she left Verona to seek her heart's desire? And, much like a Shakespeare comedy, there's no…
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I'd seen the movie. I'd seen a student production. But nothing could have prepared me for the visceral reality of seeing Cabaret live on stage. It seems that theatre producers have finally realised that audiences want an immersive experience which simply can't be replicated sat at home with NetFlix on. The entrance to the theatre is via a door tucked away from the main theatre foyer. Down down…
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