This is half-way between a biography and autobiography. Parts were clearly dictated and recorded prehumously and are interspersed with observations from others. Terry's voice shines through although, as forevermore, I was left longing for just-one-more quote.

In among all the amusing asides⁰, perhaps what I found funniest was just how bitchy the man could be! A world-class grumping machine with built-in catty-power fuelled by snark and rage. He took grouchiness into an elevated art-form.

Rob Wilkins has the tricky job of making Terry accessible. He weaves his own life into Terry's (although he never oversteps) and acts as the perfect avatar for the reader.

For some reason, the eBook places all the photos in a gallery at the end. Understandable in a paper volume, but it would have been nice to intersperse them with the text.

But it is marvellous to spend a little bit more time in Pratchett's brain. Wandering around that glorious cathedral and weeping as it slowly falls into ruins.

Paul Kidby has collected the very best of his Discworld illustrations in this definitive volume, including 40 pieces never before seen, 30 pieces that have only appeared in foreign editions, limited editions and BCA editions, and 17 book cover illustrations that have never been seen without cover text. If Pratchett's pen gave his characters life, Paul Kidby's brush allowed them to live it, and nowhere is that better illustrated than in this magnificent book.

Over 200 gorgeous images. Some mere pencil sketches, others in beautiful living colour.

As a Discworld fan, you know you're going to buy it anyway. At £3.99, it's a decent price for an eBook - or £25 for a sturdy coffee-table book. Or go bananas (ook!) and splash out for the £100 signed limited edition.

The eBook is only worth reading on a laptop or tablet. Monochrome just doesn't do it justice. But, that said, the images are frustratingly low resolution. The Bayeux Tapestry spoof is particularly hard to make out. And, while 200 images sounds like a lot - it is only a quick read.

One to ask for as a present, I think.

Another year - another Pratchett book. I am usually the first in the queue to read his latest offering, I was a little reticent about purchasing this tome; it's quite short (160 pages), it's illustrated and his last offering, "The Thief Of Time", hadn't left me with much confidence in my favourite author.

It's good to be wrong.

Pratchett is back with a story which will have you laughing out loud within the first turn of the page. Cohen The Barbarian (first introduced in "The Colour of Magic") is on a quest to return fire to the gods and has thus set the Discworld on course for annihilation.

Paul Kidby illustrates from the heart, some of the pictures are terribly moving (in an emotional way, not a la Harry Potter) although one or two do look a little rushed. He captures the majesty of the Turtle, the playfulness of the Dragons and the ferocity of the Silver Horde so well that it is easy to overlook the fact that some of the characters aren't exactly how you pictured them.

There is no doubt that the book could be longer, 160 pages interspersed with illustration does not for a long read make. But after the comparative dullness of his last two books, this compact tale triumphs and will no doubt be a much loved present.

A word of warning - "The Last Hero" is (over) priced as £17.99. WHSmith have it in their "2 for £20" promotion at the moment, combining this with their "10% off for students" deal, you'd be hard pressed to find a better bargain.

Read it, marvel at it, read it again, refuse to lend it to your friends.

Everything I learned - I learned at my local library. School taught me how to spit!

Terry Pratchett is Britain's best selling living author. With total sales of 18 million books (21 million after a manual recount) it is fair to say that this guy is popular.

A packed LT1 awaited him as he turned up to promote his new book, "The Truth" which is a semi-autobiographical satire of the press.

Wearing his trademark black hat and beard and speaking in his delightfully excited voice he enlightened us on the Discworld, being an author and his life. There was no mention made of carnivorous plants.

Perhaps surprisingly, he informed us that after passing his 11+ he decided not to go to the local grammar school "To avoid learning Latin"!
His mother, he recalls, bribed her son into reading by paying him but his love of books started age twelve with a vicious combination of J.R.R Tolkien and Richmal Crompton. "Just William was perfect," he mused, "You can still see William and his gang today; imagine, William and the Illegal Immigrants..." Perhaps surprisingly he actively disliked Caroll's "Alice". "I like practical fantasy, like E Nessbit... There's something curiously unfunny about the Victorian idea of a pork-pie on legs." As a keen reader, he became an assistant librarian at his local library, which opened him up to a whole new range of Fantasy, Science Fiction, Folklore, Geography, history and Smut. "When you're thirteen you don't want to waste any time. I quickly found out that if the characters weren't at it on page 152, they weren't going to do it at all!"

He wrote the first Discworld book "The Colour Of Magic" in the early Eighties as an antidote to the fantasy genre that had grown up. "I noticed that science fiction had become so prevalent that people like Douglas Adams [author of Hitchhikers Guide to the Galaxy] were beginning to poke fun at the conventions and stereotypes of it." "The Discworld," he says "Is a way of looking at our world. There is nothing funny about the Discworld, everything that happens there happens for a reason. It's the nature of things which happen which makes it funny."

When asked about his favourite character, he replied "People always expect me to say Rincewind or the Librarian - but they're not. My favourite characters are Commander Vimes and Granny Weatherwax. They're screwed up, that's why I like them. I feel that they are the most complete characters and that I know them. They are the most fun to write because they are fully realised. I can see Peter Postlethwaite starring as Vimes... he's got the right rumpled sort of face."

He even gave us a sneak peek of his next book "Thief of Time"! "It's going to clear up a lot of inconsistencies in other books. It features a sort of Tibetan Martial Arts Monks who shuffle time to where it's really needed. When an afternoon has just flown by that's because the monks have diverted the time away to somewhere where the afternoon is dragging on. There's one character that is 800 years old but he keeps recycling his time around one day. It's a foolish idea. But it deals with how people perceive humans and humanity."

He was also asked whether he preferred writing children's books or adult's books. "I write what I feel like, my publishers don't really seem to mind. The best writing is accessible to all. I think I write for everybody - if the adults can keep up; that's fine by me!"

When asked about the Harry Potter phenomenon, he gave a rather curious reply, "Writing in a genre is like cookery. JK Rowling got the right mix at the right temperature and cooked it for the right time. She's been very lucky. I think there's an awful lot of hype out there, lots of reviewers don't seem to know that the idea of children going to schools to learn magic isn't an old one."

Finally, Terry Pratchett's comments on the bottom of the note pad I had used to transcribe his talk...

"6/10 See Me. TP"

Still - it could have been worse. I could have asked him to sign an amusingly shaped vegetable...

2017: I'm sure that I have my signed notes somewhere. It's entirely possible that they were used as a bookmark inside a hardback which made its way to a charity shop. Ah well!

2019: I found the notes!