The whole point about Shakespeare is that you can set the play on an intergalactic space station or an American high school and keep virtually the rest unchanged. What happens when you transpose Dream from a proscenium arch to a living wood? As the sun sets over the trees, what sprites will come out to entertain us? Ruined Theatre brings a brilliant cast of seasoned West End performers to strut…
Continue reading →
🎼"Hamlet's Mum Has Got It Going On"🎵 There you go, now you've seen the show. That's about the height it reaches. Distil the tortured Prince of Denmark down to an hour and sprinkle in parody pop songs. It so nearly works. There are a few good chuckles and a smattering of clever lyrics but, even for an hour, it feels a bit flabby. The cast are game, with KT Ihnatyszyn giving a tour-de-force perfo…
Continue reading →
I got nerdsniped by a bloody Reddit post! In 2015, the UK Government launched a new passport design. It immediately attracted negative press for its designers' "sexist" decision to feature more men than women. The government has been accused of sexism over the new UK passport design, which commemorates the achievements of two women but seven men. It's true that there are only two named women - …
Continue reading →
Given my blog's domain name, I don't write nearly enough about Shakespeare. Luckily, the good folks at NetGalley have sent me Irene Coslet's provocative new book to review. Who was the real Shakespeare? It's the sort of low-stakes conspiracy theory which is driven by classism ("a low-born man couldn't write such poetry!"), plagiarism ("he stole from other writers!") and, according to this…
Continue reading →
Romeo and Juliet is obviously about a young Pakistani girl whose overbearing father wants to marry her off to a cousin, despite her age and wishes. How could it be anything but? ‘Oh dear, please don’t ruin Romeo and Juliet by talking about race!’ said a member of the public when the Globe hosted an anti-racist webinar on the play. You may be thinking this too. But worry not, because the play can’…
Continue reading →
Would you like to spend two hours with David Tennant whispering in your ears? You'd be a fool to say no! The stage is bare, the costumes are monochrome, Pepper's Ghost serves as a backdrop, the audience wears headphones. Is this style over substance? Almost. So let's talk about the schtick. Every actor is wearing a microphone which allows their merest whisper to be picked up. An impressive…
Continue reading →
What is the city but the people? What indeed? David Oyelowo is a powerhouse. His Coriolanus is a shitheel teetering somewhere between Trump and Mugabe. He isn't a noble character with a fatal flaw; his flaws are his character. The citizens celebrate him, turn on him, fear him. It isn't about power corrupting, it's about venal people abusing power structures. There are persistent theories about …
Continue reading →
Shakespeare, famously, shunned computers. Like some sort of retro hipster, he didn't write his plays on a laptop, refused to use spellcheck, and didn't register his copyright on the blockchain. Lord, what fools these mortals be! What would Shakespeare's plays have been like if their characters understood basic cybersecurity? Now, it is true that very few of his plays feature computers, but…
Continue reading →
The best thing about Shakespeare is that you can endlessly redefine the stories. Romeo & Juliet works as well set in NYC to a musical score as it does set in fair Verona. The Tempest is just as good whether the action takes place on an island or an alien planet. Shakespeare can be set in any number of high-schools without dampening its power. And so, Hamlet is now HAM(let) - Humanoid…
Continue reading →
Make Shakespeare Lowbrow Again! That's a rallying cry I can get behind. Willy wrote for the groundlings - plenty of sex and violence, interspersed with fart jokes and casual xenophobia. When your audience are drunk and violent, you really need to bring your best rhyming couplets. Shitfaced Shakespeare knows its West End audience have had a few refreshments before the show. Their twist is - so…
Continue reading →
Disclaimer! Work In Progress! See source code. I recently read this wonderful blog post about using 17th Century Dutch fonts on the web. And, because I'm an idiot, I decided to try and build something similar using Shakespeare's first folio as a template. Now, before setting off on a journey, it is worth seeing if anyone else has tried this before. I found David Pustansky's First Folio Font.…
Continue reading →
Everybody knows the story of Juliet and her Romeo. Everybody. It's a cultural touchstone unlike any other. It has been remixed, reinterpreted, reimagined, and probably remastered into 4K 3D. So what can a new production of it bring? Well, for a start, ukuleles. The cast - all six of them - give the prologue in song. Reminding us (in updated English) that we all know what's coming. It had…
Continue reading →