I wonder whether your Director would cast a white actor in the role of Othello, and expect them to “black up” to play the part? Throughout the 19th and much of the 20th Century, it was considered acceptable for white actors to portray black characters in plays, movies, and on television. They would use stage make-up (sometimes just boot polish) to darken their skin, hence the term “black up”, and would exagerate other features in a caricature of the way white people saw black people at the time. The practice gained enormous popularity in the early 20th Century, particularly (though not exclusively) in America, where many states in the south of the country were introducing laws designed to segregate the “superior whites” from the “inferior blacks”. They say life imitates art, but art imitates life too. At a time when white people were imposing their supposed superiority over black people in society, they did the same in plays and movies by portraying black people as lazy and unscrupulous, as drunks and theives, and as rapists and murderers. The effect on public opinion was so strong that a 1915 film called The Birth of a Nation became a recruiting tool for the white supremacist organisation the Ku Klux Klan (KKK). This happened again and again over the following decades. There was a UK TV sitcom that ran from 1965 to 1975 called Till Death Us Do Part. The lead character was Alf Garnet, a white working class bigot and masogynyst. The creator claimed that Garnet was a satirical caricature, but the BBC commissioned a report that found that a significant proportion of the series’ 16 million viewers found Garnet’s views “quite reasonable”. This is the thing that your director doesn’t seem to understand; that perpetuating racial (or any other) stereotypes in art, gives people permission to behave the same way in life. It’s valid to recognise a play (or movie or television series) as an historical commentary of the time in which it was written; it’s quite another to revive that play as acceptable entertainment for the audiences of today. To answer my question; I suspect your director would not cast a white actor in a black role and expect them to “black up”. He may then be surprised to learn that the practice of “yellowing up” (where white actors used similar techniques to caricaturise people from Eastern and/or Southern Asia as compulsive gamblers with opium addictions) has its origins in the same racism and bigotry of the time Anything Goes was written. Your decision not to condone racism and racial stereotyping is absolutely the right one. The right decisions aren’t always the easy ones to make, but when you look back on your life and the decisions you’ve made, this will be one you’ll look back on knowing you did the right thing.